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A theatre programme for teenagers should speak with them, rather than simply speak about them. Their interests, concerns, humour, language, and ways of…

Chamber music creates a direct line between composer, performer, and listener. With fewer instruments on stage, every phrase becomes easier to follow: a breath…

A circus tent changes the character of an urban space within hours. A familiar square becomes a performance site, a route for artists and equipment, a meeting…

Dance companies need more than a stage. They need places to rehearse, opportunities to test new ideas, technical guidance, meaningful contact with audiences,…

A season programme begins long before the curtain rises. At Figueres a Escena, it also begins with a visual idea: a colour, a texture, a photograph, a…

Shakespeare remains one of the most adaptable voices in world theatre. His plays carry familiar human tensions—love and jealousy, ambition and fear, public…

Last month, Figueres welcomed a workshop devoted to mime, physical theatre, and the expressive possibilities of silence. Held within the creative environment…

A performance may look effortless from the audience, but its smooth appearance is built through careful preparation. Before the curtain rises at Teatre El…

Before the curtain rises at Teatre El Jardí or the lights come up in Sala La Cate, someone has already helped make the evening possible. A ticket has been…

In Figueres, culture grows from a landscape where local customs, artistic experimentation, and community life meet. Catalan traditions are present in public…